![]() The abstract qualities in art are those which are independent of a work's resemblance to external reality. While not written as a "how-to" manual, realist painters will find a true treasure trove of technical information that can be adapted to almost any style of figurative painting.Ī Dutch term for the painting technique called "maniera lavata," that describes a method of dead-coloring (underpainting) in which each specific area of the painting is first approximated in a flat tint-a relatively light wash-before creating the final nuances of form, hue and light.Ī loss of media or scratches, often resulting in a loss on the surface, extending to the paint and ground layers, caused by faulty cleaning, friction as well as where the frame touches the painted surface. Each of the book's 24 topics is accompanied by abundant color illustrations and diagrams.īy observing at close quarters the studio practices of Vermeer and his preeminent contemporaries, the reader will acquire a concrete understanding of 17th-century painting methods and materials and gain a fresh view of Vermeer's 35 works of art, which reveal a seamless unity of craft and poetry. Also investigated are a number of key issues related specifically to Vermeer's studio methods, such as the camera obscura, studio organization as well as how he depicted wall-maps, floor tiles, pictures-within-pictures, carpets and other of his most defining motifs. Let Thy grace sanctify and dwell within this icon, that it may edify and inspire those who gaze upon it and venerate it that in glorifying the one depicted, they may be repentant of their sins and strengthened against every attack of the adversary.Looking Over Vermeer's Shoulder is a comprehensive study of the materials and painting techniques that made Vermeer one of the greatest masters of European art.īolstered by the author's qualifications as a professional painter and a Vermeer connoisseur, every facet of 17th-century and Vermeer's painting practices-including canvas preparation, underdrawing, underpainting, glazing, palette, brushes, pigments and composition-is laid out in clear, comprehensible language. Fill my soul with joy and gladness, for Thou alone art the Lover of mankind. Thou, Thyself, O LORD, art the fulfillment and completion of all good things. This I ask through the intercession of Thy most Holy Mother, the Apostle Luke, and all the Saints. Protect them from all evil and instruct them with good counsel. Guide the hands of Thine unworthy servant so that I may worthily and perfectly portray Thine Icon, that of Thy Mother, and all the Saints, for the glory, joy and adornment of Thy Holy Church.įorgive my sins and the sins of those who will venerate these icons and who, kneeling devoutly before them, give homage to those they represent. O DIVINE LORD of all that exists, Thou hast illumined the Apostle and Evangelist Luke with Thy Holy Spirit, thereby enabling him to represent Thy most Holy Mother, the One who held Thee in her arms and said: The Grace of Him Who has been born of me is spread through the world!Įnlighten and direct my soul, my heart and my spirit. Spare him from temptations and diabolical imaginations in the name of Thy Mother, St. Thou Who hast so admirably imprinted Thy features on the cloth sent to King Abgar of Edessa, and hast so wonderfully inspired Luke Thy Evangelist: Enlighten my soul and that of Thy servant Guide his hand that he may reproduce Thy features, those of the Holy Virgin and of all Thy saints, for the glory and peace of Thy Holy Church. ![]() The joy of being in union with the Saint whose face you are revealing.Ī Prayer from Mt. The joy of giving the Saint the possibility to shine through his/her icon. Joy of spreading icons throughout the world. Be the first to pray before it, before giving it to others. Have your icon blessed by putting it on the Holy Table of your parish church. When your icon is finished, thank God that His Mercy granted you the grace to paint the Holy Images. When you choose a colour, stretch out your hands interiorly to the Lord and ask His Counsel.ĭo not be jealous of your neighbour’s work his/her success is your success too. Keep your mind from distractions, and the Saint will be close to you. Pray in particular to the Saint whose face you are painting. Work with care on every detail of your icon, as if you were working in front of the Lord Himself.ĭuring work, pray in order to strengthen yourself physically and spiritually avoid all useless words, and keep silence. Before starting work, make the sign of the Cross pray in silence and pardon your enemies.
0 Comments
Leave a Reply. |